This paper deals with narratological analysis of twelve short stories by Janko Polić Kamov. In croatian literature, Kamov stands seperated from all current literary movements while also anticipating those movementsthat are yet to come in croatian, as well as in european literature. Besides short stories, he also wrote two poetry collections, one novel and a few plays. Short stories analysed in this paper are Brada, Selo, Žena, Katastrofa, Bitanga, Žalost, Sloboda, „Ecce homo!“, Stjenica, Odijelo, Potres and Ispovijest. This narratological analysis covers relation between story and discourse, thematisation and textualization of narrative space, classification and characterization of characters, types of narrator and focalizer, as well as narrative techniques used for representation of consciousness. In his short stories, Kamov mostly emphasizes his characters, therefore the analysis of characters occupies a bigger part of this paper. With that in mind, its important not to disregard other aspects that make this analysis, for even though they may not be represented in such great measure, they often constitute the key part of a certain story. This paper mostly follows a book by Maša Grdešić, Uvod u naratologiju, through which it then also uses theoretical works of Dorrit Cohn, Gérard Genette, Shlomith Rimmon-Kennan and Wolf Schmid. Besides those listed previously, as a support to the presented analysis this paper also uses the works of Darko Gašparović, Zorica Jurčević, Sanja Kneţević, Danijela Marot-Kiš and Brigita Miloš.