Giovanni di Pietro from Milan was a late Gothic painter who was first mentioned in Dalmatia in 1429. He is considered a key figure in introducing new artistic trends in Dalmatia during the second quarter of the 15th century and one of the main representatives of International Gothic. Giovanni's collaboration with Split-based painter Dujam Marinov Vučković during the execution of the frescoes on the vault of the Chapel of St. Domnius in Split Cathedral led to some difficulties in identifying and distinguishing the works of the two masters. Although not all researchers agree, it appears that Giovanni di Pietro from Milan was more dominant artistic figure in the creation of these frescoes. As a result, he is credited with a higher quality oeuvre, which includes the frescoes on the vault of the Chapel of St. Domnius, the painting and gilding of statues from the choir screen of Zadar Cathedral, the Ugljan polyptych, the Imago pietatis from the polyptych in Luka on Dugi Otok, and the Virgin Nursing the Child from the Monastery of St. Mary in Zadar. Four works of uncertain attribution, which share formal and stylistic elements with other works from the painter's oeuvre, can also be associated with Giovanni di Pietro. These include parts of a polyptych featuring four saints from a private collection in Switzerland, the Virgin and Child at Wawel Castle in Kraków, frescoes in the southern apse of the Church of St. Chrysogonus in Zadar, and parts of a polyptych in the Hermitage Museum in St. Petersburg. A miniature in the matricula of St. Anastasius in Split contains artistic elements that suggest a potential source of inspiration or influence from the works of this painter.