Minimalism is a philosophy that must be honestly and intimately understood so that it could be applied to photos. Minimalizam witnessed many styles of early 20th century artists whose art was defined with minimum amount of components such as shape, color, texture and line. Among the artists, this approach is seen as highly subjective, because the meaning and interpretation depends on observers perception of work. In the application of minimalism in photography the emphasis is on the ability of photography, as a medium, to reach the viewer in a unique way to show the possibilities of creating a simple strong and impactful images using as few elements. Accordingly, the aim of my thesis studying and learning is in the technical and psychological aspects of minimalism in photography. I will describe the general features of minimalism in photography, basicly the elements that create minimalist compositions and equipment required for this type of photography. An important factor that will be explored is the perception of the viewer and how human subjectivity in minimalist photography plays a very big role. On the theoretical knowledge continues practical. The main goal of the practical part of creating original photographs is to try to reduce them to the simplest form and shape and show love for the simplicity of expression. The research plan is to critically / analytically observe motives and focus attention only in their direction and based on the knowledge of the technical aspects of space, patterns, staff, lighting, color, texture and so on, to record a simple, powerful aesthetically beautiful minimalist photographs that will leave the viewer impresed. By focusing on an otherwise static and maybe not-so-interesting motives the fotografer tries to record a very dynamic and interesting scenes. The fascination with this topic tries to confirm the thesis of "Less is more“.