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master's thesis
Händelove muze
Zagreb: University of Zagreb, Academy of Music, 2020. urn:nbn:hr:116:442281
Franulović, Nina
University of Zagreb
Academy of Music
Voice Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Franulović, N. (2020). Händelove muze (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:442281

Franulović, Nina. "Händelove muze." Master's thesis, University of Zagreb, Academy of Music, 2020. https://urn.nsk.hr/urn:nbn:hr:116:442281

Franulović, Nina. "Händelove muze." Master's thesis, University of Zagreb, Academy of Music, 2020. https://urn.nsk.hr/urn:nbn:hr:116:442281

Franulović, N. (2020). 'Händelove muze', Master's thesis, University of Zagreb, Academy of Music, accessed 10 January 2025, https://urn.nsk.hr/urn:nbn:hr:116:442281

Franulović N. Händelove muze [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2020 [cited 2025 January 10] Available at: https://urn.nsk.hr/urn:nbn:hr:116:442281

N. Franulović, "Händelove muze", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2020. Available at: https://urn.nsk.hr/urn:nbn:hr:116:442281

Metadata
TitleHändelove muze
AuthorNina Franulović
MentorMartina Zadro (mentor)
GranterUniversity of Zagreb
Academy of Music
(Voice Department)
Zagreb
Defense date and country2020-09-25, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
Glavna okosnica diplomskoga rada pod naslovom Händelove muze jest pokušaj rekonstruiranja vokalnih portreta Händelovih dviju prima donna londonskog razdoblja – Francesce Cuzzoni i Faustine Bordoni. Budući da iz tog razdoblja ne posjedujemo nikakve zvučne zapise u obliku snimki (iz potpuno opravdanih povijesno-tehničkih razloga), sve zaključke o vokalnim, tehničkim, muzičkim i dramatskim karakteristikama i mogućnostima Händelovih pjevačica moguće je donekle otkriti analizom pojedinih arija pisanih za njih same, kao i kroz pisana svjedočanstva njihovih suvremenika. Naime, Händel je skladao gotovo sve operne uloge za određene pjevače i pjevačka je postava utjecala na svaku važnu odluku u stvaranju Händelovih Royal Academy opera. Uvidom u karakteristike koje pojavljuju dovoljno učestalo i konzistentno u arijama pisanim za njih same, moguće je odrediti kojim su sposobnostima i/ili nedostacima one indicirane i tako dobiti zvučnu sliku glasova Händelovih londonskih zvijezda.
Abstract (english)
The main frame of the thesis entitled Händel's Muse is an attempt to reconstruct the vocal portraits of Händel's two prima donnas of the London period - Francesca Cuzzoni and Faustina Bordoni. Since we do not have any sound recordings from that period, all conclusions about the vocal, technical, musical and dramatic characteristics and abilities of Händel's singers can be somewhat revealed by analyzing individual arias written for them, as well as through the written records of their contemporaries. Namely, Händel composed almost all roles for certain singers and they influenced every important decision in the creation of Händel's operas for the Royal Academy. Insight at the frequent characteristics that appear consistently in their arias, brings the possibility to determine the abilities and/or weaknesses they were indicated by and thus envision a sound image of the voices of Händel's London stars.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:442281
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme in Singing
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2021-06-10 14:20:30