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master's thesis
Pulp Fiction and Self-reflexivity
Zadar: University of Zadar, 2019. urn:nbn:hr:162:193414
Tkalčec, Lara
University of Zadar
Department of English

Institutional repository: University of Zadar Institutional Repository

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Tkalčec, L. (2019). Pulp Fiction and Self-reflexivity (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:193414

Tkalčec, Lara. "Pulp Fiction and Self-reflexivity." Master's thesis, University of Zadar, 2019. https://urn.nsk.hr/urn:nbn:hr:162:193414

Tkalčec, Lara. "Pulp Fiction and Self-reflexivity." Master's thesis, University of Zadar, 2019. https://urn.nsk.hr/urn:nbn:hr:162:193414

Tkalčec, L. (2019). 'Pulp Fiction and Self-reflexivity', Master's thesis, University of Zadar, accessed 25 November 2024, https://urn.nsk.hr/urn:nbn:hr:162:193414

Tkalčec L. Pulp Fiction and Self-reflexivity [Master's thesis]. Zadar: University of Zadar; 2019 [cited 2024 November 25] Available at: https://urn.nsk.hr/urn:nbn:hr:162:193414

L. Tkalčec, "Pulp Fiction and Self-reflexivity", Master's thesis, University of Zadar, Zadar, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:162:193414

Metadata
TitlePulp Fiction and Self-reflexivity
Title (croatian)Pakleni šund i samorefleksivnost
AuthorLara Tkalčec
MentorRajko Petković (mentor)
Committee memberIvo Fabijanić (predsjednik povjerenstva)
Committee memberTomislav Kuzmanović (član povjerenstva)
Committee memberRajko Petković (član povjerenstva)
GranterUniversity of Zadar
(Department of English)
Zadar
Defense date and country2019-12-11, Croatia
Scientific / art field,
discipline and subdiscipline		SOCIAL SCIENCES
Psychology
Abstract
Pulp Fiction (1994) is a crime/gangster film directed and written by Quentin Tarantino. Unlike the typical gangster films that examine the 'gangster' as a symbol of moral corruption in the society, Tarantino's 'gangster' serves as a symbol and a part of popular culture, which is evident in the movie's self-reflexivity and subjectivity. Self-reflexivity refers to the film being aware of itself and it is one of the most common postmodern characteristics. This paper focuses on the concept of self-reflexivity in Pulp Fiction and analyses it in three major aspects of the film: its characters, the setting and the narrative.
Abstract (croatian)
Pakleni šund (1994) je kriminalistički film Quentina Tarantina. Za razliku od tipičnog filma ovoga žanra koji se bazira na liku gangstera kao simbolu moralne korupcije u društvu, Tarantinov je gangster simbol popularne culture što se očituje kroz subjektivnost i samorefleksivnost ovoga filma. Samorefleksivnost se odnosi na samosvijest filma te je to jedna od čestih karakteristika postmodernizma. Ovaj rad fokusira se upravo na koncept samorefleksivnosti u filmu Pakleni šund te ga analizira unutar tri aspekta filma: likova, okruženja unutar kojeg postoje i djeluju ti likovi, te narativa.
Keywords
Keywords (croatian)
Languageenglish
URN:NBNurn:nbn:hr:162:193414
Study programmeTitle: English Language and Literature (double major); specializations in: Teaching, Research
Course: Teaching
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacije engleskog jezika i književnosti (magistar/magistra edukacije engleskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2020-10-14 08:03:29