The study is based on a method of work wherein I neutralize the weight of the sculptural material during the process of forming modeled sculptures. In this situation, the sculptural material and I are not in contact with any fixed ground base or reference point. The method of work is conceived to simulate the effects of weightlessness on Earth through the physical circumstances of neutral buoyancy achieved in a liquid medium. The formative character of sculptures modeled in conditions of neutral buoyancy indicates a deviation from the laws of statics in sculptural procedure, points out the idea of neutralizing the force of gravity, shows a sensitivity for zero gravity that suggests a lack of absolute rest in the universe, and suggests the possibility of shaping modeled sculpture under the conditions of zero gravity in space. The results of artistic research suggest that all points of view on the form are of equal value, i.e. one viewpoint compared to another does not dictate a dominant role in the observation of a form. With the practical method of work for this artistic research, I point out that the sculptural medium of modeled form can be practiced without applying the elements of achieving statics, and in doing so, the possibilities for shaping the character of sculptural forms change and suggest new sculptural values, like "antigravitoprismatic" characteristics. The aim of this practice is to free perception from the "givens" of physical laws, then to explore artistic expression under the conditions of neutralization or the absence of the force of gravity, and ultimately to suggest weightlessness in the context of artistic, cultural and social factors. Through two mutual motives, "Man in cosmos" and "Cosmos in man," I thematise ten "world images" conceived on the model of the science of cosmogony, the modern cosmological model of the observed universe, as well as a memory of the mythological concept "the center of the world" and the vestibular system. Interpreting the cosmogonic, cosmological, anthropological and philosophical dimensions of understanding the picture of the world, and by doing so in accordance with the theory of "thirdspace", the "ten-dimensional hyperspace", and the philosophical concept "rhizome", a unified conceptual whole is realized, which presents an interdisciplinary way of thinking about the role and position of a human being in a universal context.