This doctoral thesis provides an overview and explanation of three works of art and one artistic research work belonging to the "Corpus: Homeland" cycle of works: "Repairing the Constitution of the Republic of Croatia", "Collection for Remembering", "High Criteria", and "Incidental Evil". They are unified under the common theme of questioning one's own national identity and determining, but also (de)constructing, one's own relationship with the homeland by applying artistic procedures. Each of these works was created in a different medium, and this doctoral thesis explains the genesis of the idea for each work, describes the artistic research undertaken, lists the methods of research previously conceived and carried out, and the manner of performance, or presentation, of each work. "Repairing the Constitution of the Republic of Croatia" is an installation consisting of the text of the Constitution in which I intervened by inserting my own or by striking out the original text, with the addition of comments written on the page margins. "Collection for Remembering" is an installation consisting of up to 2 art books made in woodcut and manually bound, dealing with 40 cases of physical violence or hate speech addressed at persons based on their nationality or skin color, or gender-based violence. "High Criteria" is an experimental film created as a video-performance of my attempt to sing the Croatian national anthem, "Our Beautiful Homeland", correctly, following high criteria. "Incidental Evil" is an extensive artistic research dedicated to the detection of hate speech and Nazi/Fascist/Ustasha symbols in the public space of the Republic of Croatia. The immediate result was the removal of part of such messages from the public. All works in this paper are accompanied by photographs illustrating the process of creation and depicting the performed work.