The aim of this analysis was to investigate whether T.S. Eliot used primarily the Christian motifs in his poems. For the purposes of this analysis, one used 7 poems: Love Song of J. Alfred Prufrock, Gerontion, Waste Land, Hollow Men, Ash- Wednesday, Journey of the Magi and Four Quartets. The poems were analyzed by investigating the objective correlatives and Eliot’s recurrent poetic theme of the Paschal mystery. The Christian motifs that were taken into consideration are Holy Trinity, Sacraments and Church. Each motif analyzed contributed to a deeper insight into the development of the anagogic paschal theme, of which Eliot conceived as the intersection between the timeless and time-bound space utterly accomplished and completed in Christ’s Incarnation and His Passion. The analysis focused particularly on the spiritual rebirth or eternal life in the temporality in relation to the images of birth and death in the likeness of Chris’s Birth and Death. The analysis concludes with the more critical corroboration of the results of the analysis considering mainly Eliot’s poetic method of the unified sensibility, the anagogic and paschal interpretation.