Sažetak | Heidegger piše da je cilj Bitka i vremena razumijevanje značenja bitka; cilj kojeg može postići
samo autentični tu-bitak. Čovjek, tu-bitak, je entitet koji je jedinstven među drugim entitetima
utoliko što je definiran relacijom koju ima prema sebi, on ne trpi tek puku postojanost već egzistira
zauzimajući stav o tome „tko“ je. Egzistencija, označava tu-bitkovu orijentiranost prema
budućnosti. Svako ljudsko djelovanje je gibanje s i prema nekom cilju; želja za ostvarenjem cilja,
koji se nalazi u budućnosti, je uzrok našeg djelovanja i čovjek s uspostavom cilja djelovanja već
je u budućnosti. Autentičnost predstavlja gibanje koje svoj cilj dostiže kroz samo gibanje, a čovjek
se u tom gibanju pronalazi ispred neizmjerne količine mogućnosti, koje ovisno o tome kako ih
povezujemo, određuju tko smo kao osoba. Način tu-bitkovog postojanja stoga obuhvaća
mogućnost; ono što nam je bačeno, što uključuje naše povijesno bivstvo; kao i aktualnost, stav
koji zauzimamo nad onim bačenim.
Čovjek se u svojoj bačenosti gubi u javnosti, među drugim ljudima i sudjeluje u
samoobmanjivanju neautentičnosti naklapanja i znatiželje, sve do trenutka propalosti. U svojoj
propalosti čovjek tek može spoznati sebe kao neautentičnog i odlučiti postati autentičnim.
Autentičnost označava odlučnost, i reflektivno sagledavanje života u svojoj cijelosti, a to je
ostvarivo tek kada spoznamo neizbježnost smrti. Čovjeku smrt predstavlja njegovu najvlastitiju
vlastitost, nešto što je potpuno njegovo vlastito i što je nerazumljivo kroz smrt drugih. Uz fenomen
smrti i odlučnosti, za autentičnost je prema Heideggeru potreban i fenomen savjesti. Savjest je glas
koji nas navodi da postanemo autentičnim, a nastaje iz inertnosti i iz naše krivnje uzrokovane
ontološkom činjenicom da je čovjek propadljivo biće u stalnoj relaciji prema ništavilu, prema
smrtnosti. Krivnja označava nepostizanje vlastitih mogućnosti, potiskivanje autentičnosti, i buku
neautentičnog života, gdje se onda tek može javiti glas savjesti. U krivnji izbjegavanja pitanja o
smrti u čovjeku stvara i strah o smrti kao o događaju, kao o nečemu što nije naša vlastitost. Strah
nastaje pred činjenicom ljudske slobode, pred činjenicom da je čovjek taj koji mora odlučiti za
sebe između neizmjerne količine mogućnosti. Strah nas tako distancira od naše vlastitosti i
autentičnosti. Prevazići taj strah znači prihvatiti i sagledati svoju smrtnost, što znači sagledati svoj
život u cjelini. U sagledavanju života u cjelini čovjek prelazi „vulgarno“ razumijevanje vremena
kao prisutnost u sadašnjosti, te svoju budućnost i prošlost razumije kao cjelovitu priču, u kojoj se
značenja prošlih događaja mijenjaju ovisno o onome što se događa sada i što će se dogoditi u
budućnosti.
Kierkegaard navodi da je čovjek biće sinteze, da je čovjek dijalektični odnos međusobno
oprečnih pojmova poput vječnosti i vremenitosti, beskrajnosti i krajnosti, slobode i nužnosti, kao
i vječne duše i propadljivog tijela. U ovome odnosu krajnosti čovjek se slobodno giba, a u svojoj
slobodi on se gubi, griješi, kaje se i bježi u jednu ili drugu krajnost. Čovjek u svome bijegu postaje
sebičan, zavisan i ogorčen; on se udaljuje od malograđanskog života u negativnu refleksiju
estetičkog života koji je ispunjen praznim zadovoljstvima i potragom za ljepotom. Ljepota nije
najuzvišenija, nego je neposredno blago, i jedno kada propadne ljepota estet ostaje kao samrtnik u
očaju. Čovjek nadalje bježi u etičke konstrukcije, uvjerava se da je njegov pasivni način življenja
onaj ispravni i zadovoljava se filozofskim konstrukcijama i sistemima kroz koje objašnjava svijet
oko sebe. Čovjek, ako je on sam paradoksalno biće između dvije krajnosti, će eventualno doći u
neobjašnjive, paradoksalne situacije gdje jedino rješenje je prepuštanje sebe. Za Kierkegaarda
prepuštanje označava prvo odlučnost, odlučnost u odbacivanju svih lažnih identiteta u činu
„stajanja golim pred Gospodinom.“ Sve što jest je po sebi ili po drugome, a pošto je čovjek u
odnosu sa samim sobom nije mogao biti po sebi, već ga je nužno morao stvoriti Bog. U prihvaćanju
sebe kao stvorenog od strane Boga, čovjek može postati autentičan, može naučiti kako ljubiti Boga,
kako ljubiti sebe, ljubiti druge i svijet oko sebe. U kretanju prema autentičnosti čovjek se otuđuje
od svijeta oko sebe, jer nisu svi pojedinci voljni i svjesni svoga stanja neautentičnosti i
neautentičnosti svijeta u kojem se nalaze. Čovjek, koje je nužno međuljudsko i društveno biće, i
za kojega su potrebni drugi ljudi kako bi izgradio i upoznao sebe, se kada postane autentičan mora
vratiti u neautentični svijet, s novostečenim znanjem i s ciljem aktivnog mijenjana svijeta oko sebe. |
Sažetak (engleski) | Heidegger writes that the goal of Being and Time is to understand the meaning of Being; a
goal that only an authentic Dasein can achieve. Man, Dasein, is an entity that is unique among
other entities insofar as that he is defined by the relationship he has with himself; he does not suffer
only mere presence but exists by taking a position on „who“ he is. Existence signifies the Daseins
orientation toward the future. Every human act is a movement with and towards some goal; the
desire to achieve a goal, which is in the future, is the cause of our actions and a man with the
establishment of a certain goal already „is“ in the future. Authenticity as a movement achieves its
goal through that movement itself, and in this movement we find ourselves in front of an
immeasurable amount of possibilities, which, depending on how we connect them, determine who
we are as a person. The mode of Dasein's existence, therefore, encompasses a possibility; that
which is thrown to us, which includes our Being as a historical being; as well as an actuality; the
stance we take over that which is thrown to us. Dasein in his throwness is lost in the anonymous
public, he is lost among other people, and participates in the inauthenticity of self-deceptive acts
of gossiping and curiosity, until he finds himself as being fallen. In his fallenness, Dasein sees
himself as inauthentic and decides to become authentic. Authenticity signifies determination and
a reflective view of one's own life in its entirety; which is achievable only when we realize the
inevitability of our own death. For Dasein, death represents his ownness, something that is
completely our own and that is incomprehensible through the death of others. According to
Heidegger, in addition to the phenomenon of death and determination, the phenomenon of
conscience is also necessary for authenticity. Conscience is the voice that leads us to become
authentic, and it arises from our inertion and from our guilt caused by the ontological fact that man
is a contingent being in a constant relationship towards nothingness, to death. Guilt signifies the
failure to achieve one's own possibilities, the suppression of authenticity, and the noisiness of an
inauthentic life. Only in that noisiness can the voice of conscience appear. In the guilt of avoiding
the question of our death, we also create a fear of death as an event, as something that is not our
own. Fear arises from the fact of our radical freedom, before the fact that it is us who, for ourselves,
have to make a decision among an immeasurable amount of possibilities. Fear thus distances us
from our ownness and from authenticity. Overcoming that fear means accepting your mortality,
which means looking at our life as a whole. In looking at life as a whole, we transcend the "vulgar"
understanding of time as a present presence, and we begin to understand our future and past as a
whole story, in which the meanings of past events change depending on what is happening now
and what will happen in the future.
In comparison to Heidegger, Kierkegaard states that man is a synthesis; that man is a dialectical
relationship of conflicting concepts such as eternity and temporality, infinity and temporality,
freedom and necessity, as well as the eternal soul and perishable body. In this relationship of
extremes, we move freely, and in this freedom, we get lost, we sin, we repent and we flee to one
of the extremes that make our being. In our flight we become selfish, resentful, and morally bitter;
we move away from the petty-bourgeois life into a negative reflection of the aesthetic life, a life
filled with empty pleasures and the false pursuit of beauty. Beauty is not the most sublime, and
once it perishes the aesthete remains an empty main in despair. We further escape into ethical
constructions and convince ourselves that our passive way of life is the right one, and we satisfy
ourselves with different philosophical constructions and systems through which we explain the
world around us. The Ethical man, as he himself is a paradoxical being between two extremes, will
eventually come to an inexplicable, paradoxical situation where the only solution is to surrender
oneself to faith. For Kierkegaard, surrendering includes determination; determination in the
rejection of all false identities in the act of "standing naked before the Lord." Everything that is
„is“ by itself or by another, and since man is in relation to himself, he could not become by himself,
he necessarily must have been created by God. In accepting ourselves as created beings, we can
become authentic, we can learn how to love God, and through God's love, we can learn how to
love ourselves, to love others, and the world around us. In the movement towards authenticity,
man becomes alienated from the world around him, because not all individuals are willing to
become authentic, or are aware of their inauthentic state and the inauthenticity of the world in
which we find ourselves. Man, who is necessary an interpersonal and social being, and who needs
other people to know himself, must, after becoming authentic, return to the non-authentic world
with his newly acquired knowledge and with the goal of actively changing the world around him. |