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diplomski rad
The Representation of Minorities in American Musical Theater since the 1950s
Zagreb: Sveučilište u Zagrebu, Filozofski fakultet, 2020. urn:nbn:hr:131:689147
Krstičević, Klara
Sveučilište u Zagrebu
Filozofski fakultet
Odsjek za anglistiku

Institucijski repozitorij: ODRAZ

Citirajte ovaj rad

Krstičević, K. (2020). The Representation of Minorities in American Musical Theater since the 1950s (Diplomski rad). Zagreb: Sveučilište u Zagrebu, Filozofski fakultet. Preuzeto s https://urn.nsk.hr/urn:nbn:hr:131:689147

Krstičević, Klara. "The Representation of Minorities in American Musical Theater since the 1950s." Diplomski rad, Sveučilište u Zagrebu, Filozofski fakultet, 2020. https://urn.nsk.hr/urn:nbn:hr:131:689147

Krstičević, Klara. "The Representation of Minorities in American Musical Theater since the 1950s." Diplomski rad, Sveučilište u Zagrebu, Filozofski fakultet, 2020. https://urn.nsk.hr/urn:nbn:hr:131:689147

Krstičević, K. (2020). 'The Representation of Minorities in American Musical Theater since the 1950s', Diplomski rad, Sveučilište u Zagrebu, Filozofski fakultet, citirano: 28.11.2024., https://urn.nsk.hr/urn:nbn:hr:131:689147

Krstičević K. The Representation of Minorities in American Musical Theater since the 1950s [Diplomski rad]. Zagreb: Sveučilište u Zagrebu, Filozofski fakultet; 2020 [pristupljeno 28.11.2024.] Dostupno na: https://urn.nsk.hr/urn:nbn:hr:131:689147

K. Krstičević, "The Representation of Minorities in American Musical Theater since the 1950s", Diplomski rad, Sveučilište u Zagrebu, Filozofski fakultet, Zagreb, 2020. Dostupno na: https://urn.nsk.hr/urn:nbn:hr:131:689147

Za citiranje koristite ovu mrežnu adresu: https://urn.nsk.hr/urn:nbn:hr:131:689147
Podaci o radu
NaslovThe Representation of Minorities in American Musical Theater since the 1950s
AutorKlara Krstičević
MentorJelena Šesnić (mentor)
Član povjerenstvaSven Cvek (predsjednik povjerenstva)
Član povjerenstvaStipe Grgas (član povjerenstva)
Ustanova koja je dodijelila
akademski / stručni stupanj		Sveučilište u Zagrebu
Filozofski fakultet
(Odsjek za anglistiku)
Zagreb
Datum i država obrane2020-09-16, Hrvatska
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Interdisciplinarne humanističke znanosti
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Filologija
Anglistika
Sažetak
This paper is a discussion about the representation of minorities, more precisely African Americans and Puerto Ricans, in American musical theatre since the 1950s. The discussion gives an introduction to representation of these groups in the American popular media, and then discusses and reviews five musicals which present different stages of inclusion of minorities on Broadway stage. Five musicals discussed are: Hello, Dolly! and its 1957 version with an all-black cast; Hamilton in which cast consisting of people of color portray white historical figures; West Side Story and In the Heights with their different portrayals of Puerto Rico immigrants; and Grease as an example of quintessentially American musical and its evolution in portraying minorities since its premiere in 1972. To discuss different portrayals of minorities in these musicals, this paper relies on scholarly papers, critics’ reviews of Broadway stage productions, reviews of the film version of the musicals, documentaries about the musicals, and other forms of popular media discussing topics relevant for this paper.
Ključne riječi
Jezikengleski
URN:NBNurn:nbn:hr:131:689147
Studijski programNaziv: Anglistika(dvopredmetni studij); smjerovi: lingvistički, književno-kulturološki, prevoditeljski
Smjer: književno-kulturološki
Vrsta studija: sveučilišni
Stupanj studija: diplomski
Akademski / stručni naziv: magistar/magistra engleskog jezika i književnosti (mag. philol. angl.)
Vrsta resursaTekst
Način izrade datotekeIzvorno digitalna
Prava pristupaOtvoreni pristup
Uvjeti korištenjaIkona licence Zaštićeno autorskim pravom.
Datum i vrijeme pohrane2020-09-17 14:54:08