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Public Rendition of Authorship: Commemorative Ceremonies in Neo-Avant-Garde Projects by Zabludovsky-Zorica
Primerjalna književnost, 44 (2021), 3; 177-194. https://doi.org/10.3986/pkn.v44.i3.10
Protrka Štimec, Marina

Institucijski repozitorij: ODRAZ

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Protrka Štimec, M. (2021). Public Rendition of Authorship: Commemorative Ceremonies in Neo-Avant-Garde Projects by Zabludovsky-Zorica. Primerjalna književnost, 44. (3), 177-194. doi: 10.3986/pkn.v44.i3.10

Protrka Štimec, Marina. "Public Rendition of Authorship: Commemorative Ceremonies in Neo-Avant-Garde Projects by Zabludovsky-Zorica." Primerjalna književnost, vol. 44, br. 3, 2021, str. 177-194. https://doi.org/10.3986/pkn.v44.i3.10

Protrka Štimec, Marina. "Public Rendition of Authorship: Commemorative Ceremonies in Neo-Avant-Garde Projects by Zabludovsky-Zorica." Primerjalna književnost 44, br. 3 (2021): 177-194. https://doi.org/10.3986/pkn.v44.i3.10

Protrka Štimec, M. (2021) 'Public Rendition of Authorship: Commemorative Ceremonies in Neo-Avant-Garde Projects by Zabludovsky-Zorica', Primerjalna književnost, 44(3), str. 177-194. doi: 10.3986/pkn.v44.i3.10

Protrka Štimec M. Public Rendition of Authorship: Commemorative Ceremonies in Neo-Avant-Garde Projects by Zabludovsky-Zorica. Primerjalna književnost [Internet]. 12.11.2021. [pristupljeno 23.11.2024.];44(3):177-194. doi: 10.3986/pkn.v44.i3.10

M. Protrka Štimec, "Public Rendition of Authorship: Commemorative Ceremonies in Neo-Avant-Garde Projects by Zabludovsky-Zorica", Primerjalna književnost, vol. 44, br. 3, str. 177-194, Studeni 2021. [Online]. Dostupno na: https://urn.nsk.hr/urn:nbn:hr:131:880880. [Citirano: 23.11.2024.]

Za citiranje koristite ovu mrežnu adresu: https://urn.nsk.hr/urn:nbn:hr:131:880880
Podaci o radu
Naslov (engleski)Public Rendition of Authorship: Commemorative Ceremonies in Neo-Avant-Garde Projects by Zabludovsky-Zorica
Naslov (slovenski)Javno uprizarjanje avtorstva: spominski rituali v neoavantgardnih projektih Zorice-Zabludovskega
AutorMarina Protrka Štimec https://orcid.org/0000-0002-3764-5625
Autorova ustanovaSveučilište u Zagrebu
Filozofski fakultet
(Odsjek za kroatistiku)
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Filologija
Kroatistika
Sažetak (engleski)
Artistic intermedial and interdiscursive projects and performance art events on the artistic stage written by Željko Zorica and his imaginary co-initiator “paleoanthropologist, demonologist, card player and wine drinker, Hans Christian Zabludovsky, PhD” are based on commemorative practices established by historical science and culturology. They refer to mechanisms of history production, question creative processes and evaluate the elusive and complex relationship between collective memory, the political sphere, literature and history. Zorica-Zabludovsky’s books and artistic performances (the erection of memorial plaques in Paris, Zagreb and Oporovec) challenge the “social imaginary” as a fundamental reference of historiographical and critical work, demonstrating that theoretically and politically conscious art does not necessarily interfere with aesthetic experience. This paper analyses them as expression of the transgressive character of post-avant-garde artistic practices—as undertakings that reveal the basic relationship between art, literature, history and public space.
Sažetak (hrvatski)
Umetniški intermedijski in interdiskurzivni projekti ter uprizoritveni dogodki na umetniškem odru, katerih avtorja sta Željko Zorica in njegov namišljeni soavtor, »paleoantropolog, demonolog, igralec kart in pivec vina, dr. Hans Christian Zabludovsky«, temeljijo na spominskih praksah, ki sta jih uveljavili zgodovinska znanost in kulturologija. Dogodki se sklicujejo na mehanizme proizvodnje zgodovine, preizprašujejo ustvarjalne procese ter vrednotijo izmuzljiv in zapleten odnos med kolektivnim spominom, politično sfero, literaturo in zgodovino. Knjige in umetniški performansi Zorice-Zabludovskega (postavitev spominskih plošč v Parizu, Zagrebu in Oporovcu) postavljajo pod vprašaj »družbeno imaginarno« kot temeljno referenco zgodovinopisnega in kritičnega dela, ki dokazuje, da teoretično in politično zavedna umetnost ne krni nujno estetskega doživetja. Članek analizira njuna dela kot izraz transgresivne narave post-avantgardnih umetniških praks in kot podvige, ki razkrivajo temeljni odnos med umetnostjo, literaturo, zgodovino in javnim prostorom.
Ključne riječi (engleski)
Ključne riječi (slovenski)
Jezikengleski
Vrsta publikacijeZnanstveni rad - Izvorni znanstveni rad
Status objaveObjavljen
Vrsta recenzijeRecenziran - međunarodna recenzija
Verzija publikacijeObjavljena verzija rada (izdavačev PDF)
Naslov časopisaPrimerjalna književnost
Brojčani podacivol. 44, br. 3, str. 177-194
p-ISSN0351-1189
e-ISSN2591-1805
DOIhttps://doi.org/10.3986/pkn.v44.i3.10
URN:NBNurn:nbn:hr:131:880880
Datum objave publikacije2021-11-12
ProjektŠifra: IP-2018-01-7020
Naziv (hrvatski): Književne revolucije
Kratica: LIRE
Voditelj: Marina Protrka Štimec
Pravna nadležnost: Hrvatska
Financijer: HRZZ
Linija financiranja: IP
URL dokumentahttps://ojs-gr.zrc-sazu.si/primerjalna_knjizevnost/article/view/8145
Vrsta resursaTekst
Prava pristupaOtvoreni pristup
Uvjeti korištenjaIkona licence Imenovanje 4.0 međunarodna (CC BY 4.0)
Datum i vrijeme pohrane2021-11-25 09:19:34