This master's thesis explores the activity of women artists in the context of exhibitions honoring International Women’s Day in Socialist Republic Croatia. The exhibitions have, so far, been completely obscure in the public eye, which acted as an incentive to delve into this topic, and most materials used for the analysis of this phenomenon are archival. The thesis opens with the historical overview of Women’s Day, joint endeavors for social progress made by the working class and women and the ways in which the holiday was celebrated and marked in socialist Yugoslavia, proceeding with the breakdown and the analysis of the highlighted exhibitions. The focus is put on the evaluation of the quality of their organization, as well as on the emphasis of individual innovative women artists, exhibitions marked with activist intents, but also the role of art critics in promoting gender equality in the world of art. The problem of insufficient research and anonymity of the exhibitions in the context of Croatian art history is also being theorized, and these collective exhibitions celebrating a revolutionary holiday are highlighted as an interesting phenomenon in SR Croatia.