The paper explores the portrayal of the postfeminist character of the blonde in contemporary American film. Research is based on an analysis of the films Legally Blonde (2001) and The House Bunny (2008) in which the protagonists are blondes. These are chick flick movies that show prejudices and stereotypes about blondes and that the main characters encounter on a daily basis. Prior to the analysis, paper offers an review of the development and division of the blonde character, from the historical representation of blondes until the postfeminist depiction of the blonde character analyzed in the paper. The research showed that the dominant theme in both analyzed films is the depiction of femininity and the importance of mutual female solidarity and support. In the analysis, the postfeminist blonde character proved to be a layered character who was discriminated against in various ways because of her hair color, but also a character who is proud of her feminine qualities and promotes the strength of female solidarity. They are discriminated against on a daily basis by society, mostly by women. They do not engage in conflicts with other women and do not respond to provocation, instead they reassure them with their kindness, understanding and support – female qualities.