Although typography in the graphic arts industry is present almost from the very beginning, the emergence of new challenges, the appearance of TVs, computers, smartphones ,and media accompanying devices such as web pages, video games,commercials, series, and films. This final paper presents her transition to the film strip, the adaptations she needs to undergo and the technical requirements she has to meet. In the first part of the paper, some basic typographic terms are explained which will be mentioned later in the theoretical and experimental part. In cinematography different rules apply to the creation of titles and movie subtitles. Moreover, they have changed over time and genres that emerged. While in the beginning, as the newsprint was of utmost importance readability, as movie information became available online, today's more important aspects are the aesthetic appearance of typographic elements, their animation, their effects, and their inclusion in the theme and atmosphere of the movie they are trying to enjoy and import Viewers in the movie. Although the text in different forms appears throughout the film, the titles and subtitles in the introductory box are of special importance, as they are also the main item in promotion and marbling, and are trying to turn them into a brand. For this reason, they try to be attractive, memorable. In order to demonstrate the use of dynamic typography in cinematography and its production process, for the experimental part of the Blade Runner film opening credits has been redesigned, aims to present the title and subtitle vision that meets today's standards with the help of modern technology .