Starting from that musical produce is very important component of some society, it seeks to demonstrate that our musical selection determining us if we want to admit it or not. Sociology of music as a part of sociology, generally, has its own elements and methods through which it realize. Initial interpretation of sociology of music is that it researches relationship between music and society. Task of sociology of music is to analyze relationship between music and audience, music and social classes, stratum and between music and mere composer. In the field of sociology of music Theodor W. Adorno contributed so much. He considered that music represents expression of basic social processes and aspirations. Adorno thought that if the music produce with the aim of consumptive good than it determines its cultural quality. For him popular music is a medium through which can achieve profit, but a medium through which can satisfy false needs. Popular music manages with hearers routine and it is pure illusion that we are placed in position that we can choose products which are generally the same. That situation takes us into commercialization of product. Generally, mass culture has a task in the same time to produce false individualism and false collectivism. On the view of musical art through history it can be seen conflict between popular and „high“, elit culture. Mass media and technologization support that music for listening is enabled almost to all social stratum, and that it was a significant factor in period among two world wars in Zagreb when music became popular and represent in households by way of radio and gramophone records for which were searched in that times.