In this paper I described composing, arranging, performance, and production of starogradske songNe vrijedi plakati like typical pieces tamburitza players from Vojvodina would perform. In thisintroduction part I will briefly write about history of Tamburitza music, like the most importantrepresentative of starogradske music and typical instruments tamburitza ensembles, choirs andorchestras would use. Furthermore, I described musical segments of that song, harmony, tonality,rhythm and structure. Recording is done by recording each instrument separately, in this order:tamburitza bass, bugarija, first bisernica, second bisernica, first brač, second brač, third brač, celloand vocal in the end. Acoustic tamburitza instruments were recorded with microphones suitable forstring instruments. For the purpose of recording were used analog and digital devices, and digitalaudio workstation. In this writing I have described techniques and ways of recording, and alsoprograms we used for sound editing and reason of their use for specific instrument. Actual music clipsatisfying the musical and audio quality, the fact greatly contributed arranger, music producer andco-workers.