The paper focuses on the question of how the theatre can exist as a political subject, which is based on the shift of an esthetical paradigm.In order to answer such a question, the main ideas of theater theorists, theatrologists and art philosophers have been taken into concern. In this way, the paper sheds light on the relationship between the philosophic and the artistic work, especially in regards to clarifying change in art. In this part, the unavoidability of philosophic reflection of art in practice is pointed out.The work approaches the issue of theatre as a political entity from an existantially meaningful perspective, which is part of both philosophy and art. Because of this reason, the paper attempts to portray politics as it is understood by Hannah Arendt.Freedom, a build-up of one's own personal identity and the capability of starting over are important elements of her understanding of political acts, which render those acts as a general concern of all citizens.Specific includement of community in theatre practical terms is a space where, to put it shortly, the possibility is being born for theatre to become relevant in the sphere of politics.