This thesis is based on a long-standing interest in the academic work of Guy Debord and the situation movement in general, and by considering the problems of the media and the impact of the spectacle on the media and, consequently, on everyday life. This thesis is divided into 6 chapters. In the introductory part of the thesis I will discuss the problems of modern society and media activities in the same and the impact of the situationist international led by Debord on the development of today's society and the perception of reality. Furthermore, in the theoretical part of the thesis, I will deal with defining the basic terms needed to properly understand Debord's thought and its principles. The terms image, ideology, and capital are the foundation of Guy Debord's philosophical and academic work, and a proper understanding of these terms depends largely on understanding the topic I will be writing about. At the very end of the theoretical part of the thesis, I will look at the historical origin of these terms and their relation and correlation in Debord's philosophy. In the next part of my dissertation, I will focus on the “Society of Spectacle” as the foundation for the study of Debord's philosophy and understanding of postmodern society. I will first focus on the theoretical and philosophical directions that influenced the development of the theory of spectacle culture, while in the second subchapter I will focus on the work of the media and their role in society. At the very end of this part of my dissertation, I will also refer to the topicality of Debord's book "The Society of the Spectacle" with regard to the newly created topicalities in the world. At the very end of the thesis, in the chapter conclusion, I will summarize all the above analyzes and arguments and construct my own view of Debord's thoughts and, consequently, his philosophy and understanding of society.